Stereo Effects 立体效果
Stereo Effects are the final stage that the signal passes through before reaching the main output. This chapter covers all available effect types.
立体声效果是信号在到达主输出之前经过的最后阶段。本章介绍所有可用的效果类型。
Stereo Effects are the final stage that the signal passes through before reaching the main output. A wide range of effects are offered, from time-based effects like flanging, phasing and chorus, to spatial effects that allow you to adjust and expand the stereo field. Versatile distortion, saturation and overdrive effects can be produced, and combined with a true stereo reverb or delay.
立体声效果是信号在到达主输出之前经过的最后阶段。提供了广泛的效果，从翻边、相位和合唱等基于时间的效果，到允许您调整和扩展立体声场的空间效果。可以产生多种失真、饱和和过载效果，并与真正的立体声混响或延迟相结合。
Effects can be loaded into three slots (X, Y, Z), and three routing options offer different ways for the effects to be mixed: X > Y > Z chains the three effects, X + Y > Z sends the sum of the X and Y effects to the Z effect, and X + Y + Z sums all three effects.
效果可以加载到三个插槽（X、Y、Z）中，三个路由选项为混合效果提供了不同的方式：X > Y > Z 链接三种效果，X + Y > Z 将 X 和 Y 效果的总和发送到 Z 效果，X + Y + Z 将所有三种效果的总和。
The three Stereo Effects routing options
The following section provides an overview of the Stereo Effects section:
以下部分概述了“立体效果”部分：
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Stereo Effect On/Off: Switches the Stereo Effect on or off. You can use this to bypass the effect for A/B comparison. This icon can also be found on the Stereo module on the Routing page.
立体声效果开/关：打开或关闭立体声效果。您可以使用它来绕过 A/B 比较的效果。此图标也可以在“路由”页面上的“立体声”模块上找到。Stereo Effect Menu: Selects a Stereo Effect for the respective slot. Three slots are available, called X, Y, and Z. The effect panel on display is highlighted with an underline. You can show the other effect panels by clicking on the corresponding Stereo Effect menu.
立体声效果菜单：为相应的插槽选择立体声效果。有三个插槽可用，分别称为 X、Y 和 Z。显示的效果面板用下划线突出显示。您可以通过单击相应的“立体效果”菜单来显示其他效果面板。Parameter Controls: This area hosts a range of buttons and knobs that control different parameters of the effect. Each Stereo Effect has a set of controls that relate to its behaviour and operation.
参数控制：此区域包含一系列按钮和旋钮，用于控制效果的不同参数。每个立体效果都有一组与其行为和操作相关的控件。
Dimension Expander 维度扩展器
The Dimension Expander is a Chorus with stereo expansion capabilities, that can add an extra dimension to your sound. The results range from subtle enrichment to a shimmery, expanded stereo sound.
Dimension Expander 是一款具有立体声扩展功能的合唱团，可以为您的声音增加额外的维度。结果范围从微妙的丰富到闪闪发光的扩展立体声。
The Dimension Expander contains the following parameters and controls:
维度扩展器包含以下参数和控件：
Modes: Selects one of four modes of the effect (1 - 4), ranging from subtle to strong.
模式：选择四种效果模式之一 （1 - 4），范围从微妙到强烈。Amount: Adjusts the strength of the effect.
量：调整效果的强度。 Bright: When on, the character is neutral. When off, the effect produces a slightly filtered sound.
明亮：开启时，角色为中性。关闭时，效果会产生轻微过滤的声音。Stereo: Morphs the output of the device from mono to stereo. Turn the control fully right for a complete stereo effect.
立体声：将设备的输出从单声道转换为立体声。将控件完全向右转动以获得完整的立体声效果。
Equalizer 均衡器
The Equalizer is used to balance and shape the frequency content of a sound. Internal algorithms make this equalizer sound particularly musical.
均衡器用于平衡和塑造声音的频率内容。内部算法使该均衡器听起来特别有音乐感。
The Equalizer contains the following parameters and controls:
均衡器包含以下参数和控件：
Freq: Sets the frequency of the high shelf filter (1.2kHz to 23.6kHz).
频率：设置高架滤波器的频率（1.2kHz 至 23.6kHz）。Hi-Gain: Adjusts the level control of the high shelf filter (-24dB to +24 dB). Center position is 0dB.
Hi-Gain：调整高架滤波器的电平控制（-24dB 至 +24 dB）。中心位置为0dB。Freq: Sets the frequency of the parametric mid-band (90Hz to 14kHz). The center position is 2.14 kHz.
频率：设置参数中频带（90Hz 至 14kHz）的频率。中心位置为2.14 kHz。Mid Gain: Controls the boost factor of the mid-band (from -24dB to +24 dB). Center position is 0dB.
中频增益：控制中频的升压因子（从-24dB到+24 dB）。中心位置为0dB。Q: The Quality Factor (Q) gives you control over the sharpness or bandwidth of the filter. A wide and round setting is produced when the control is turned left. Turning the control right creates a narrow resonance.
问：品质因数 （Q） 可让您控制滤镜的锐度或带宽。当控件向左转动时，会产生宽而圆的设置。向右转动控制会产生狭窄的共振。Low Gain: Adjusts the level of the low shelf filter (-36dB to +18 dB). Center position is 0dB. The frequency range is dependant on the level boost, sitting between 120Hz and 260Hz.
低增益：调节低架滤波器的电平（-36dB 至 +18 dB）。中心位置为0dB。频率范围取决于电平提升，介于 120Hz 和 260Hz 之间。
Flanger 镶边
The Flanger is a sonically diverse module, featuring seven different play modes, ranging from classic stompbox-style to wild and complex flange effects. The delay range of a typical flanger is expanded, allowing you to also create unusual and unique effects. To achieve a classic flanger sound, the range must be chosen carefully.
Flanger 是一个声音多样化的模块，具有七种不同的游戏模式，从经典的单块式到狂野而复杂的法兰效果。典型镶边的延迟范围得到扩展，您还可以创建不寻常且独特的效果。为了获得经典的镶边声音，必须仔细选择范围。
The Flanger contains the following parameters and controls:
镶边器包含以下参数和控件：
Modes: Selects one of seven modes that determine the type of modulation and the internal routing of the flanger. The available parameters vary depending on the chosen mode.
模式：选择七种模式之一，这些模式决定了调制类型和镶边器的内部布线。可用参数因所选模式而异。Parallel: The LFO modulation is identical for the left and right channels while the audio inputs are still true stereo. This mode is best suited for the classic stompbox flanger sound.
并行：左声道和右声道的 LFO 调制相同，而音频输入仍然是真正的立体声。此模式最适合经典的单块镶边声音。Wide: The LFO modulation of the left and right channel is slightly offset, resulting in a wider, stereophonic sound.
宽：左右声道的 LFO 调制略有偏移，从而产生更宽广的立体声声音。Inverse: The LFO modulation is shifted by 180 degrees (inverse modulation) on one side, resulting in an even wider stereophonic sound.
反向：LFO 调制在一侧偏移 180 度（反向调制），从而产生更宽广的立体声。Difference: The internal signals are mixed so that the output stages show the sum and the differences of this operation. This results in a sound with a metallic character, that is most clearly heard when the Time control is set to a short delay time. The Triangle LFO Shape is recommended for this mode.
差值：内部信号被混合，以便输出级显示此操作的总和和差值。这会产生具有金属特征的声音，当时间控件设置为较短的延迟时间时，可以最清楚地听到。对于此模式，建议使用 Triangle LFO Shape。Cross: The LFO uses inverse modulation. The internal signals are mixed and the output stages show the sum and the differences of this operation. As Cross mode relies on a specific, internal modulation to achieve its result, the LFO Shape is predefined and can not be changed. While it shares similarities to Difference mode, it creates stable frequency sidebands resulting in less movement and sonic wobble.
交叉：LFO 使用反向调制。内部信号是混合的，输出级显示此操作的总和和差。由于交叉模式依赖于特定的内部调制来实现其结果，因此 LFO 形状是预定义的，无法更改。虽然它与差异模式有相似之处，但它可以创建稳定的频带，从而减少运动和声音摆动。Cross Astral: A variation of Cross and Difference modes, using more complex internal modulation. The LFO Shape is fixed and the shape menu is removed. This mode can be particularly effective for raw pads or pure waveforms.
Cross Astral：Cross 和 Difference 模式的变体，使用更复杂的内部调制。LFO 形状是固定的，形状菜单被移除。此模式对于原始焊盘或纯波形特别有效。Manual: In Manual Mode, independent Time control for the left and right channels is available and the internal LFO modulation is removed. Applying different modulations to the left and right sides can produce dramatic results.
手动：在手动模式下，左声道和右声道的独立时间控制可用，内部 LFO 调制被移除。在左右两侧应用不同的调制可以产生戏剧性的效果。
Mix: Blends between the input signal and the effect signal, determining how much phasing is applied. Turn the control fully left to bypass the effect. At the center position, the largest frequency gaps are created. Turning the control fully right creates a pure flanger effect.
混音：在输入信号和效果信号之间混合，确定应用多少相位。将控件完全向左转动以绕过效果。在中心位置，产生最大的频率间隙。将控件完全向右转动会产生纯粹的镶边效果。FB: Sets the amount of signal that will feed back from the delays output into the input of the delay. The more feedback, the more the frequency peaks and gaps are modeled out of the sound spectrum.
FB：设置从延迟输出反馈到延迟输入的信号量。反馈越多，从声谱中模拟出的频率峰值和间隙就越多。FB +/-: This switch heavily influences the overall characteristics of the flanger. It determines whether the feedback signal is mixed in with normal or inverse polarity. Negative feedback produces uneven harmonics from the comb filter circuit. Positive feedback creates even and odd harmonics. Cross and Cross Astral modes do not offer Feedback polarity.
FB +/-：此开关严重影响镶边器的整体特性。它确定反馈信号是以正极性还是反极性混合。负反馈会从梳状滤波电路产生不均匀的谐波。正反馈会产生偶数谐波和奇数谐波。Cross 和 Cross Astral 模式不提供反馈极性。Time: Sets the delay time or fundamental frequency of the flanger. The LFO modulation is applied around this center frequency. In Manual mode, independent Time control of the left and right channels is available.
时间：设置镶边的延迟时间或基频。LFO调制围绕该中心频率施加。在手动模式下，可以对左右声道进行独立的时间控制。Rate: Sets the Modulation Rate of the LFO.
速率：设置 LFO 的调制速率。 LFO Shape: Selects one of three modulation shapes (Triangle, Logarithmic, Sine). The LFO shapes are tweaked to be musical rather than mathematically perfect shapes. Besides the standard Triangle and Sine shapes, a Logarithmic shape is an option to recreate classic flanger sounds.
LFO 形状：选择三种调制形状之一（三角形、对数、正弦波）。LFO的形状被调整为音乐形状，而不是数学上完美的形状。除了标准的三角形和正弦形状外，对数形状还可以重现经典镶边声音。Amount: Sets the amount of Time modulation by the LFO. Classic flange sounds can be achieved with lower Amount settings.
Amount：设置 LFO 的时间调制量。经典的法兰声音可以通过较低的音量设置来实现。Constant Amount Button: When deselected, the LFO amplification applied by the Amount control works in a typical manner. A faster LFO rate setting will apply stronger detuning to the comb filter. When Constant Amount is active, the amount of detuning applied is fixed, regardless of the LFO rate. This leads to very interesting pitch-shifting effects when using internal Triangle modulation with high Feedback values.
恒定量按钮：取消选择时，低频振荡器放大量控制应用的典型方式工作。更快的 LFO 速率设置将对梳状滤波器施加更强的失谐。当 Constant Amount 处于活动状态时，无论 LFO 速率如何，施加的失谐量都是固定的。当使用具有高反馈值的内部三角形调制时，这会导致非常有趣的音高转换效果。
Nonlinear Lab 非线性实验室
The Nonlinear Lab offers a multitude of overdrive and distortion characteristics. Several optional speaker cabinet simulations further expand the sonic flexibility of the Nonlinear Lab. The available parameters and controls are dependant on the chosen Drive type and Cabinet.
非线性实验室提供了多种过驱和失真特性。几个可选的扬声器箱体模拟进一步扩展了非线性实验室的声音灵活性。可用的参数和控制取决于所选的变频器类型和机柜。
The Nonlinear Lab contains the following parameters and controls:
“非线性实验室”包含以下参数和控件：
Drive type: Selects one of three different HQ saturator/distortion models (Hard Clip, Soft Clip, Overdrive).
驱动器类型：选择三种不同的 HQ 饱和器/失真模型（硬削波、软波、过载）之一。Hard Clip: A standard tanH (=hyperbolic tangens) saturator. This model offers great standard distortion that works particularly well for acidic sounds.
硬夹：标准tanH（=双曲切线）饱和器。该型号提供了出色的标准失真，特别适用于酸性声音。HP Pre: Adjusts the frequency of the high-pass filter, applied to the input signal before the saturator. Use this control to avoid overloading the saturator stage with excessive bass.
HP Pre：调整高通滤波器的频率，应用于饱和器之前的输入信号。使用此控件可避免饱和器tage 因低音过高而过载。HP Post: Frequency of the high-pass post-stage (after saturator). Adjusts the bass output of the saturator.
HP Post：高通后级（饱和后）的频率。调整饱和器的低音输出。Comp: Adjusts the output level compensation for the Drive amount. The output level of different Drive amounts is highly dependent on the input signal. The Comp control helps to keep the output level under guard.
补偿：调整驱动器量的输出电平补偿。不同驱动量的输出电平很大程度上取决于输入信号。Comp 控制有助于保护输出电平。
Soft Clip: The most gentle distortion mode of the Nonlinear Lab. It works well for a wide number of signals like bass, guitar, and drum sounds. This mode offers three different models of different sonic flavors.
软剪辑：非线性实验室中最柔和的失真模式。它适用于多种信号，如贝斯、吉他和鼓声。此模式提供三种不同声音风格的不同型号。HP Pre: Adjusts the frequency of the high-pass filter, applied to the input signal before the saturator. Use this control to avoid overloading the saturator stage with excessive bass.
HP Pre：调整高通滤波器的频率，应用于饱和器之前的输入信号。使用此控件可避免饱和器tage 因低音过高而过载。Models: Selects one of three sub models for this mode (Glue, Warm, Hot). Glue offers compression with relatively subtle distortion. Warm offers compression with medium distortion while the Hot setting features compression with strong distortion.
型号：为此模式选择三个子型号之一（胶水、暖、热）。胶水提供具有相对微妙失真的压缩。“暖”设置提供中等失真的压缩，而“热”设置的特点是压缩和强失真。Comp: Adjusts the output level compensation for the Drive amount. The output level of different Drive amounts is highly dependent on the input signal. The Comp control helps to keep the output level under guard.
补偿：调整驱动器量的输出电平补偿。不同驱动量的输出电平很大程度上取决于输入信号。Comp 控制有助于保护输出电平。
Overdrive: An extreme, intense distortion effect, that produces exaggerated sonic results.
过载：一种极端、强烈的失真效果，会产生夸张的声音效果。HP Pre: Adjusts the frequency of the high-pass filter, applied to the input signal before the saturator. Use this control to avoid overloading the saturator stage with excessive bass.
HP Pre：调整高通滤波器的频率，应用于饱和器之前的输入信号。使用此控件可避免饱和器tage 因低音过高而过载。Inertia: Determines how fast the loading of the stage occurs, depending on the frequency. Turn the control fully right for the fastest response.
惯性：根据频率确定载物台加载的速度。将控制器完全向右转动以获得最快的响应。Comp: Adjusts the output level compensation for the Drive amount. The output level of different Drive amounts is highly dependent on the input signal. The Comp control helps to keep the output level under guard.
补偿：调整驱动器量的输出电平补偿。不同驱动量的输出电平很大程度上取决于输入信号。Comp 控制有助于保护输出电平。
Stereo: Selects between Mono and Stereo. In Mono, the left and right sides are mixed together and sent to the monophonic saturator and cabinet stages. The dry path remains stereo. In Stereo mode, the device operates in true stereo.
立体声：在单声道和立体声之间进行选择。在单声道中，左右两侧混合在一起，并发送到单声道饱和器和箱体级。干燥路径保持立体声。在立体声模式下，设备以真正的立体声运行。Drive: Controls how hard the saturation stages are driven, from subtle to extreme.
驱动：控制饱和度阶段的驱动力度，从微妙到极端。Mix: Blends between the unaltered input signal and the affected output of the Lab.
混音：在未改变的输入信号和受影响的实验室输出之间进行混合。Cabinet Stage: Selects one of six different guitar cabinet simulations (California, West Coast, Classy, Hi Gain, Crank, British). The cabinets drastically shape the overall color of the output. Bypass the cabinet stage by selecting Off. Without a cabinet selected, the distortions may sound raw and are particularly suitable for raw synth sounds.
Cabinet Stage：从六种不同的吉他箱体模拟（加利福尼亚、西海岸、Classy、Hi Gain、Crank、British）中选择一种。箱体极大地塑造了输出的整体颜色。通过选择“关闭”绕过机柜阶段。 如果没有选择箱体，失真可能听起来很原始，特别适合原始合成器声音。Bass: Finely adjusts the bass response and boominess of the cabinet model.
低音：微调箱体型号的低音响应和嗡嗡声。Vari: Selects one of three sub-models of the cabinet (A, B, C).
变量：选择机柜的三个子模型（A、B、C）之一。
Phaser 相位
The Phaser can produce a wide array of sonic results exceeding the conventional limits of standard phasers. Phasing is a modulation effect that sends a signal through a series of all-pass filters. Each filter alters the phase of a set frequency, and an LFO is used to modulate this phase shifting, producing a characteristic sweeping sound. When the effect signal is mixed with the original, the out of phase frequencies create notches and peaks in the frequency spectrum. The number of all-pass filters (Stages) determines the number of notches and peaks, and the Feedback control sends the effect signal back through the series of all-pass filters, increasing the resonance for an even more intense sound.
移相器可以产生各种声音结果，超出标准移相器的传统限制。相位是一种调制效应，它通过一系列全通滤波器发送信号。每个滤波器都会改变设定频率的相位，LFO用于调制这种相移，从而产生特征性的扫频声音。当效果信号与原始信号混合时，异相频率会在频谱中产生陷波和峰值。全通滤波器（Stages）的数量决定了陷波和峰值的数量，反馈控制通过一系列全通滤波器将效果信号发送回去，从而增加共振以获得更强烈的声音。
For a simple and classic guitar stomp-box style phaser, a relatively low Feedback setting should be used, with a positive polarity setting. For a sonically complex sound, use a higher number of all-pass stages. Fine-tuned coloration settings are predetermined, with each option producing varied sonic characteristics typically found in different phaser effects. The wide sonic range and potential combinations make the Phaser effect highly powerful and versatile.
对于简单而经典的吉他单块盒式移相器，应使用相对较低的反馈设置，并具有正极性设置。对于声音复杂的声音，请使用更多数量的全通级。微调的着色设置是预先确定的，每个选项都会产生不同的声音特性，通常在不同的移相器效果中发现。宽广的音域和电位组合使移相器效果器非常强大和通用。
The Phaser contains the following parameters and controls:
Phaser 包含以下参数和控件：
Stages: Selects the number of all-pass (AP) filter stages (2, 4, 5, 6, 8). Additionally, there are two modes that offer Barber Pole phasing. In these modes, the traditional LFO modulation controls are replaced by a Freq control that is used to create infinite upwards-downwards motion through the frequency spectrum. The two Barber modes differ in range. The AR mode features audio-rate modulation.
级：选择全通 （AP） 滤波器级（2、4、5、6、8）的数量。此外，还有两种模式提供 Barber Pole 相位。在这些模式下，传统的LFO调制控制被Freq控制所取代，该控制用于在频谱中产生无限的上下运动。两种理发师模式的范围不同。AR 模式具有音频速率调制功能。Modes: Selects one of five modes that determine the type of modulation and the internal routing of the phaser. The available parameters vary depending on the chosen mode.
模式：选择五种模式之一，这些模式决定了调制类型和移相器的内部布线。可用参数因所选模式而异。Parallel: The LFO modulation is identical for the left and right channels while the audio inputs are still true stereo. This mode is best suited for the classic stompbox phaser sound.
并行：左声道和右声道的 LFO 调制相同，而音频输入仍然是真正的立体声。此模式最适合经典的单块踏脚踏球移相器声音。Wide: The LFO modulating the flanger is identical for the left and right side, but one side is slightly offset, resulting in a wider, stereophonic sound. The modulation itself remains monophonic.
宽：调制镶边的 LFO 左右两侧相同，但一侧略有偏移，从而产生更宽广的立体声声音。调制本身保持单声道。90°: The LFO phase is shifted by 90 degrees on one side, producing a bigger difference between the left and right channels. This results in a wider, more stereophonic sound.
90°：LFO 相位在一侧偏移 90 度，左右声道之间产生较大的差异。这会产生更宽广、更立体的声音。180°: The LFO modulating the flanger is shifted by 180 degrees (inverse modulation) on one side, resulting in an even wider stereophonic sound. In Barber mode the movement is inversed between both sides.
180°：调制镶边的 LFO 在一侧偏移 180 度（反向调制），从而产生更宽广的立体声声音。在理发模式下，运动在两侧之间反转。Manual:In Manual mode, the internal LFOs are switched off and you have individual control over the frequency parameter of both channels. Applying different modulations to the left and right sides produces dramatic effects.
手动：在手动模式下，内部 LFO 关闭，您可以单独控制两个通道的频率参数。在左右两侧应用不同的调制会产生戏剧性的效果。
Color: Selects one from three different settings (Neutral, Stomp, Narrow) that determine the coloring of the phaser. For classic stomp-box behavior, the Stomp setting is ideal. Narrow does not influence the spectrum around the all-pass peaks as strong as the other settings, making it suitable for darker, bass-heavy sounds. Use the Neutral setting to produce a neutral tone.
颜色：从三种不同的设置（中性、踩踏、窄）中选择一种，这些设置决定了移相器的颜色。对于经典的单块踩踏行为，单块踩踏设置是理想的选择。窄不会像其他设置那样强烈地影响全通峰值周围的频谱，因此适用于较暗、低音较重的声音。使用“中性”设置可产生中性音调。Mix: Adjusts the amount of phasing applied. Turn the control fully left, to bypass the effect. The center position typically produces the maximum notch effect. Turned fully right, the pure phaser is heard. The best position will be dependant on the number of stages, the polarity setting, and the desired effect. The sweet spot is very often around the middle or close to fully wet.
混合：调整应用的相位量。将控件完全向左转动，以绕过效果。中心位置通常产生最大的缺口效果。完全向右转动，可以听到纯移相器的声音。最佳位置将取决于级数、极性设置和所需效果。最佳点通常在中间或接近完全湿润。FB: Controls how much feedback is applied to the signal. The more feedback the stronger the all-pass filters will resonate. This is similar to your typical lowpass resonance filter. The more resonance, the more the frequency peaks, and gaps are modeled out of the sound spectrum. For a classic phaser sound, set the range between 30%-70%.
FB：控制对信号施加多少反馈。反馈越多，全通滤波器的共振就越强。这类似于典型的低通谐振滤波器。共振越多，频率峰值就越多，并且间隙是从声谱中建模出来的。对于经典的移相器声音，请将范围设置在 30%-70% 之间。FB +/-: Switches between Positive and Negative polarity settings, which determine whether the internal feedback is mixed in with normal or inversed polarity. This greatly influences the overall characteristics of the phaser, particularly with stage settings 2 and 4. Negative feedback produces funky, formant-style sounds. Positive feedback produces round, bass-heavy sounds.
FB +/-：在正极性和负极性设置之间切换，确定内部反馈是与正常极性还是反极性混合。这极大地影响了移相器的整体特性，尤其是在阶段设置 2 和 4 时。负反馈会产生时髦的共振峰式声音。正反馈产生圆润、低音沉重的声音。Freq: Determines the basic operating frequency of the phaser. The LFO modulation is applied around this center frequency. In Barber mode, the Freq parameter controls the rate of the upwards/downwards movement through the frequency spectrum.
频率：确定移相器的基本工作频率。LFO调制围绕该中心频率施加。在 Barber 模式下，Freq 参数控制通过频谱向上/向下移动的速率。Rate: Determines the Modulation Rate of the LFO. In Barber mode, the Rate of the modulation is controlled by the Freq parameter.
速率：确定 LFO 的调制速率。在 Barber 模式下，调制速率由 Freq 参数控制。LFO Shape: Select one of four modulation shapes (Triangle, Round, Ramp Up, Ramp Down).
LFO 形状：选择四种调制形状之一（三角形、圆形、斜坡上升、斜坡下降）。Amount: Sets the range of how much the LFO is animating the all-pass filters. This control is only available when an LFO is active.
数量：设置 LFO 对全通滤波器进行动画处理的范围。仅当 LFO 处于活动状态时，此控件才可用。
Quad Chorus 四合唱
Choruses are used to enrich sounds by adding spatial movement and giving them an ensemble-like quality. The Quad Chorus comes with multiple characteristics and different play modes. The Chorus is true stereo.
合唱用于通过增加空间运动并赋予它们类似合奏的品质来丰富声音。Quad Chorus 具有多种特性和不同的演奏模式。合唱团是真正的立体声。
The Quad Chorus contains the following parameters and controls:
Quad Chorus 包含以下参数和控件：
Modes: Selects one of five modes that determine how the four delay lines are activated and modulated in different ways. The modes are based on the most successful classic chorus effects.
模式：选择五种模式之一，这些模式决定了如何以不同的方式激活和调制四个延迟线。这些模式基于最成功的经典合唱效果。TriVintage: Modeled after a famous device, this mode use only three of the available four delays. It can reproduce the classic sound of a triphase chorus, but also offers additional controls, expanded ranges and stereo possibilities.
TriVintage：以著名设备为蓝本，此模式仅使用可用四个延迟中的三个。它可以再现三相合唱的经典声音，但也提供了额外的控制、扩展的范围和立体声的可能性。Quadron: Follows the same principles as TriVintage mode, but is optimized for a stereo signal. It can be used for subtle to over the top chorusing.
Quadron：遵循与 TriVintage 模式相同的原理，但针对立体声信号进行了优化。它可用于微妙到夸张的合唱。Random: This mode uses random walk generators instead of the internal LFOs. This avoids audible modulation patterns, making it ideal for subtle chorusing.
随机：此模式使用随机游走发生器而不是内部 LFO。这避免了可听见的调制模式，使其成为微妙合唱的理想选择。Even: Offers a special combination of two synced LFO's, spread and applied to four delay lines.
偶数：提供两个同步 LFO 的特殊组合，扩散并应用于四个延迟线。Manual: Gives you direct access to the basic core of the algorithm, in this case, the four delays. You can use this to create a subtle aural room effect or modulate it with the LFO´s, envelopes, or performers. You can access the delay lines by the four controls, labeled Time Left1, Time Left2, Time Right1, Time Right2.
手动：让您直接访问算法的基本核心，在本例中为四个延迟。您可以使用它来创建微妙的听觉室效果，或使用 LFO、包络或表演者进行调制。您可以通过标记为 Time Left1、Time Left2、Time Right1、Time Right2 的四个控件访问延迟线。
Flavor: Selects one from five different settings (Neutral, Light, Controlled, Warm, Dark) that determine the coloring of the chorus. Which flavor fits best is highly dependant on what you want to achieve, but their names suggest the general character of each setting.
风格：从五种不同的设置（中性、浅色、可控、暖色、深色）中选择一种，这些设置决定了合唱的颜色。哪种口味最适合很大程度上取决于您想要实现的目标，但它们的名称暗示了每种设置的一般特征。Mix: Blends between the input signal and the effect signal, determining how much chorus is applied. Turn the control fully left to bypass the effect. The sweet spot often lies around the center position.
混音：在输入信号和效果信号之间混合，确定应用多少合唱。将控件完全向左转动以绕过效果。最佳位置通常位于中心位置附近。Stereo: Adjusts the width of the stereo field. Turn left for a narrow stereo field, and turn right to widen the stereo field of the chorused signal.
立体声：调整立体声场的宽度。左转以获得狭窄的立体声场，向右转以扩大合唱信号的立体声场。Distance: The time distance of the modulated delay lines to the original sound. Turn the control right for longer settings that will result in a recognizable delay effect. It can also produce interesting results for auxiliary modulation when the internal LFOs are not used. The Distance control is not available in Manual mode.
距离：调制延迟线到原始声音的时间距离。向右转动控件可进行更长的设置，从而产生可识别的延迟效果。当不使用内部LFO时，它还可以为辅助调制产生有趣的结果。距离控制在手动模式下不可用。Rate: Sets the Modulation Rate of the internal LFOs. The LFO shapes cannot be chosen, as they are an integral part of the models. The Rate control is not available in Manual mode.
速率：设置内部LFO的调制速率。LFO形状无法选择，因为它们是模型的组成部分。速率控制在手动模式下不可用。Amount: Sets the range of how much the LFO is animating the delay lines. The Amount control is not available in Manual mode.
金额：设置 LFO 对延迟线进行动画处理的范围。“金额”控件在“手动”模式下不可用。
Reverb 混响
The Reverb offers a range of modes that mimic different room types and spaces, designed for various kinds of applications.
混响提供了一系列模仿不同房间类型和空间的模式，专为各种应用而设计。
The Reverb contains the following parameters and controls:
混响包含以下参数和控件：
Modes: Selects one from seventeen different Reverb modes (Late, Large Hall, Jazz Hall, Stage, Med Synth, Fat Synth, Reflective, Rave Cellar, Small Early, Small Dense, Micron, Tight, Metolla, Wave, Woosh, Non Linear, Wanderlust), that determines the sound character and behavior of the Reverb effect.
模式：从 17 种不同的混响模式（Late、Large Hall、Jazz Hall、Stage、Med Synth、Fat Synth、Reflective、Rave Cellar、Small Early、Small Dense、Micron、Tight、Metolla、Wave、Woosh、Non Linear、Wanderlust）中选择一种，这些模式决定了混响效果的声音特征和行为。Send: Determines the amount of input signal that will be routed into the reverb engine.
发送：确定将路由到混响引擎的输入信号量。Mix: Blends between the input signal and the effect signal, determining how much of the reverb effect is mixed with the dry signal. Turn the control fully left to bypass the effect, or turn right to mix in the reverb.
混音：在输入信号和效果信号之间进行混合，确定混响效果与干信号的混合程度。将控件完全向左转动以绕过效果，或向右转动以混响混音。Size: Adjusts the size of the simulated room, or reverb effect. This control affects the duration of the reverb tail.
大小：调整模拟房间的大小或混响效果。此控件会影响混响尾部的持续时间。Color: Adjusts the coloration of the reverb using an internal filter to subtly change the sound from dull to bright.
颜色：使用内部滤波器调整混响的颜色，以巧妙地将声音从沉闷变为明亮。Delay: Determines the pre-delay of the reverb effect. No delay is added when the control is turned fully left.
延迟：确定混响效果的预延迟。当控件完全向左转动时，不会增加延迟。Chorus: Applies a chorusing effect to the reverb. This can add movement and depth to the sound, producing a lively reverb that evolves over time.
合唱：将合唱效果应用于混响。这可以增加声音的运动感和深度，产生随时间变化的生动混响。
Stereo Delay 立体声延迟
The Stereo Delay offers individual time control over the left and right channels, making it an extremely powerful and versatile stereo delay effect.
立体声延迟提供对左右声道的单独时间控制，使其成为极其强大和多功能的立体声延迟效果。
The Stereo Delay contains the following parameters and controls:
立体声延迟包含以下参数和控件：
Route: Determines if the internal feedback is in Parallel or Cross mode. When Parallel is selected, the output from the left delay is fed into the left delay input and the output from the right delay is fed into the right delay input. They do not interact with each other. When Cross is selected, the output from the left delay is fed into the input of the right delay, and the output from the right delay is fed into the left delay input. This creates different reflection patterns that are typically longer and more complex. By default, Route is set to Parallel.
路由：确定内部反馈是处于并行模式还是交叉模式。选择并行时，左侧延迟的输出被馈入左侧延迟输入，右侧延迟的输出被馈入右侧延迟输入。它们彼此不相互作用。选择Cross时，左延迟的输出被馈入右延迟的输入，右延迟的输出被馈入左延迟输入。这会产生不同的反射模式，这些模式通常更长、更复杂。默认情况下，“路由”设置为“并行”。Color: Selects between three different characteristics (Neutral, Warm, Hot). With a Neutral setting, the internal EQ filters have no resonance and there are almost no nonlinearities, making this the cleanest sounding with a neutral character. With a Warm setting, the internal EQ filters have some resonance, creating a warm character sound. Hot has strong nonlinearities and the internal EQ filters have a strong resonance that is very audible in the final sound.
颜色：在三种不同的特征（中性、暖色、热色）之间进行选择。在中性设置下，内部 EQ 滤波器没有共振，几乎没有非线性，使其成为具有中性特征的最干净的声音。在温暖设置下，内部 EQ 滤波器会产生一些共鸣，从而产生温暖的角色声音。Hot 具有很强的非线性，内部 EQ 滤波器具有强烈的共振，在最终声音中非常可听见。FB: Determines the amount Feedback applied to the signal. Applying more Feedback increases the number of echoes. Each one of these repetitions will gradually fade out as new ones are produced, with shorter delay times typically causing reflections to disappear faster than longer delay times. The Stereo Delay rescales the reflection levels so that the decay is time independent.
FB：确定应用于信号的反馈量。应用更多反馈会增加回声的数量。随着新重复的产生，这些重复中的每一个都会逐渐消失，较短的延迟时间通常比较长的延迟时间导致反射消失得更快。立体延迟可重新调整反射电平，使衰减与时间无关。Mix: Blends between the input signal and the effect signal. Turn the control fully left to bypass the effect, and right to mix in the delay.
混音：在输入信号和效果信号之间混合。将控件完全向左转动以绕过效果，向右转动以混合延迟。Sync: Selects one of two basic time manipulation modes (Sync, Free). In Sync mode, the fader scans through five individually assignable, synchronized times in a quantized manner. Adjust the individual dominators and denominators by clicking a number and dragging the mouse up or down. This delay’s sophisticated algorithms enables you to jump from one time division to another without audio artefacts. This also applies when the host temp is changing the master tempo of the effect. This makes it possible to modulate the faders. When Free is selected, the stepped fader(s) is replaced by a continuous fader, operating in a manner typical to vintage delay.
同步：选择两种基本时间操作模式（同步、免费）之一。在同步模式下，推子以量化方式扫描五个可单独分配的同步时间。通过单击数字并向上或向下拖动鼠标来调整各个支配者和分母。这种延迟的复杂算法使您能够从一个时分跳到另一个时分，而不会出现音频伪影。当主机温度更改效果的主速度时，这也适用。这使得调制推子成为可能。选择 Free 时，步进推子被连续推子取代，以典型的复古延迟方式运行。Mono: When activated, Mono modulation is switched on. The effect remains in stereo, but the delay time is controlled by a single fader for both channels.
单声道：激活后，单声道调制打开。效果保持立体声，但两个通道的延迟时间由单个推子控制。Latch: This button enables you to recall the delay times with note-on messages received from the synth engine. This means you will only hear the change of delay times when a new note is pressed. This enables you to synchronize the delay changes to actual notes playing and is available in both Sync and Free modes.
闩锁：此按钮使您能够通过从合成器引擎接收的音符消息来调用延迟时间。这意味着您只会在按下新音符时听到延迟时间的变化。这使您能够将延迟更改与实际演奏的音符同步，并且在同步和自由模式下都可用。Send: Determines the amount of input signal that will be routed into the delay engine.
发送：确定将路由到延迟引擎的输入信号量。Flutter: Moves the delay time slightly, creating a more lively effect and avoiding fixed phase relationships to the input signal. This control can be likened to a subtle chorusing.
颤振：稍微移动延迟时间，产生更生动的效果，避免与输入信号的固定相位关系。这种控制可以比作微妙的合唱。Color: Adjusts the internal filters of the delay circuitry. Turn the control left for a strong lowpass effect that becomes weaker towards the center position. At the center position the color is neutral. Turn the control right to increase the highpass filtering.
颜色：调整延迟电路的内部滤波器。向左转动控件以获得较强的低通效果，该效果在中心位置变弱。在中心位置，颜色是中性的。向右转动控件以增加高通滤波。
Stereo Expander 立体声扩展器
This module is the next iteration of the Dimension Expander found in the original MASSIVE. It is cleaner, more versatile, and less CPU intensive than its predecessor. The Stereo Expander can be used to create room-style spatial effects for a wide range of mono and stereo sound sources. It has a clear, diffused character sound.
该模块是原始 MMASSIVE 中 Dimension Expander 的下一个迭代版本。它比其前身更干净、更通用且 CPU 占用更少。立体声扩展器可用于为各种单声道和立体声声源创建房间风格的空间效果。它具有清晰、弥漫的字符声音。
The Stereo Expander contains the following parameters and controls:
立体声扩展器包含以下参数和控件：
Amount: Adjusts the strength of the effect.
量：调整效果的强度。 Time: Adjusts the delay time of the effect. Turning the control right increases the delay time, making the sound appear more distant.
时间：调整效果的延迟时间。向右转动控件会增加延迟时间，使声音显得更遥远。